I’m not really convinced there’s ‘forward’ or ‘backwards’ with movement or making, but I do like to joke about working backwards. Setting type unfolds upside-down AND backwards. I’m left-handed, so I often start at the right side of an image and work right to left so I don’t drag my hand across wet media or graphite and make a mess. And then there is unmaking or obscuring; that’s the ‘backwards’ I’m thinking about lately…working from a “something” (text or image) towards a “nothing” that’s not really nothing. This week, I’m working backwords from a failed broadside until it becomes nearly unrecognizable, a process I find much more intriguing than starting with a blank page.
Lunenburg Art Gallery
I’m getting ready for a show and sale at the Lunenburg Art Gallery with Nancy French of Lindenlea Paper. We’ll be at the Gallery December 7-12. I’ll have sculptural paintings, artist’s books and handbound books, letterpress printed broadsides and altered broadsides, eroding alphabets, nests you can wear, mushroom portraits (originals and prints), natural-dyed handspun yarns, … Read more